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Sunday, 9 July 2017

Finally Released

It's here at last. The Tricky Number Two is now available!

Following some teething troubles with the submission it is at the time of writing available to stream on Google Play Music and Spotify and will be available to stream and even download from other purveyors of music soon.
Anyway, as part of my relentless promotion of The Tricky Number Two I thought I'd tell you about it in a review of sorts.
The title of the album is pretty self-explanatory and as puerile as you'd expect from me. The original artwork included the poo emoji which is a registered trademark, so the artwork wasn't really original at all. Balancing my ukulele on the toilet, a toilet which had been cleaned the same day, I nervously took a new photo while almost hyperventilating at the thought of having to fish it out of the bowl.
On to the songs.
12 of them. In under 14 minutes. There's only one that gets even close to the two minute mark and I certainly can't be accused of dragging the songs out. I've never seen any point in trying to overdo it.
Back with a Vengeance. I don't know why I insist on having an intro track, because that's all this is. I know people just want to hear daft songs about shitting and wanking, but I have to get all full of myself and act like I'm a real musician sometimes. This song originally had lyrics, but they were abandoned at the 11th hour and I went for this 30 second instrumental instead.
Phil. This is a re-recording of a song I recorded for an EP I did way back in 2014. Anyone who knows me knows I strongly dislike Phil Collins and there are even rumours that I am behind the popular Twitter account that updates users on whether or not he's dead yet, but I will neither confirm or deny this. Not quite sure why I made this a reggae song though.
Meatball Farts. IKEA had to be dropped from the title for legal reasons. Quite simply I came up with this after doing quite a rancid fart after I'd been eating meatballs.
Working from Home. An homage to anyone who's their own boss and doesn't need to leave the house.
Theresa. This was released as a single just a couple of weeks before the General Election. If I redid it to include everything this woman has done wrong since then the song would be at least 5 hours long. And that's if I played it really fast.
Wanking in Memphis. People's love of Elvis has always baffled me and this focuses on those who love him a bit too much, if you know what I mean.
Assistance. Another re-recording of an old song. I hope that Dignitas might want to adopt this as a song for adverts at some point.
Trump. This came out as a single a few months ago, but the album version is different due to the Westlife-style key change it has towards the end. Seminal.
The Tricky Instrumental Number Two. This was originally Instrumental #2, but RouteNote said the title was “too generic”. Strange that Instrumental #1 from the previous album didn't pose the same problem. So it unwittingly became the title track. I wanted to do something cartoon-like and I had the theme tune from Tiny Toons in mind. This sounds nothing like it in any way so it's a complete failure.
Nigel. Having had a swipe at other political figures, I couldn't leave this arsehole out of it. It's quite a challenge to mock someone who themselves is already a parody.
Your Favourite Bakery. Originally called Greggs is Shit, but that's not allowed apparently. A potential legal minefield even though it is entirely factual – the son of one of the current owners has been done for possessing child pornography, even though he might not like it being mentioned in a song.
This Won't Be a Hit. Classic self-defecation. Err, self-deprecation. I thought it would be fun to do a song that has nothing rude in it and it proved to be the biggest challenge of the whole album. Ever since hearing Ukulele Hiro do a cover of Iron Maiden's The Trooper I've wanted to have a go at it myself. I didn't listen to the song at all before playing my version of what I thought it sounded like as an outro. It probably can't fade out fast enough for some people.
I think this album is actually way better than Uke Hunts Is a Fictional Character despite the fact that I put much less effort into it.
Go and listen and if you accidentally put it on repeat and stream it forever I certainly won't complain. 
It's on Spotify and Google Play Music and it'll be on all the other streaming sites soon and you'll even be able to download it from Amazon or iTunes if for some bizarre reason you want to actually spend money on it. More on this as it happens.

Stay tuned, uke hunters.

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Oh and all this shit is available from Amazon too:







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